{"id":105,"date":"2013-11-25T16:00:46","date_gmt":"2013-11-25T16:00:46","guid":{"rendered":"http:\/\/www.palmwinemusic.com\/?p=105"},"modified":"2020-09-17T07:49:10","modified_gmt":"2020-09-17T07:49:10","slug":"payday-krakye","status":"publish","type":"post","link":"https:\/\/www.palmwinemusic.com\/?p=105","title":{"rendered":"&#8220;Payday Krakye&#8221;"},"content":{"rendered":"<h3 style=\"text-align: center;\">The High Life Aces<\/h3>\n<h4 style=\"text-align: center;\">YeeBee YBN 0004<\/h4>\n<p style=\"text-align: justify;\">&#8220;Payday Krakye&#8221; is a song about arrogance and extravagance. It is sung in the Twi language, and the singer (K. Bampoe) presents it from the point of view of either a colleague but rather an average, small Ghanaian without formal employment, addressing a gentleman (krakye), an employee blowing his salary on payday and taunting the average Ghanaian for travelling by trotro (a local mini-bus), eating low-cost food (yorkegali, a meal from gari and beans) and drinking locally distilled gin (akpeteshie). But the singer reminds our boastful &#8220;krakye&#8221; that by the middle of the month, his money will be gone if he continues his costly life style with rice dishes, beer and champagne&#8230; But besides the admonition to modesty,&nbsp;there is another aspect between the lines of this song: As the employee is just a gentleman after paydays but an average small man for the second half of the month, this is also a song about low wages, salaries to small to sustain a good life throughout the whole month.<\/p>\n<p style=\"text-align: justify;\">&#8220;Payday Krakye&#8221; is a Highlife number written by Oscar More Ofori, one of Ghana&#8217;s most important composers and not only the leader of the High Life Aces but also the famous Broadway Dance Band, composer for King Bruce&#8217;s Black Beats and involved in numerous own projects such as Oscar&#8217;s Modern Rhythm Boys and&nbsp;Oscar &amp; His Rhythm Group.<\/p>\n<p style=\"text-align: justify;\">It was probably recorded in 1959 and released the same year on Yeebee, a local independent label of the late 1950s and early 60s, and even though its catalogue contained only a small number of titles, it nevertheless marked the beginning of a musical success story: It was the first label of Dick Essilfie-Bonzie, the man behind the famous Essiebons label.<\/p>\n<p style=\"text-align: center;\"><a style=\"text-align: center;\" href=\"http:\/\/www.palmwinemusic.com\/wp-content\/uploads\/2013\/11\/YeeBee_YNB_0004_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-117\" src=\"http:\/\/www.palmwinemusic.com\/wp-content\/uploads\/2013\/11\/YeeBee_YNB_0004_1-300x300.jpg\" alt=\"YeeBee_YNB_0004_1\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.palmwinemusic.com\/wp-content\/uploads\/2013\/11\/YeeBee_YNB_0004_1-300x300.jpg 300w, https:\/\/www.palmwinemusic.com\/wp-content\/uploads\/2013\/11\/YeeBee_YNB_0004_1-150x150.jpg 150w, https:\/\/www.palmwinemusic.com\/wp-content\/uploads\/2013\/11\/YeeBee_YNB_0004_1.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-105-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.palmwinemusic.com\/Audio\/YeeBee_YNB_0004_01.mp3?_=1\" \/><a href=\"http:\/\/www.palmwinemusic.com\/Audio\/YeeBee_YNB_0004_01.mp3\">http:\/\/www.palmwinemusic.com\/Audio\/YeeBee_YNB_0004_01.mp3<\/a><\/audio>\n<h2 style=\"text-align: center;\">Payday Krakye<\/h2>\n<p style=\"text-align: center;\">Awo agye wo akotua nti, awo enya woho resrew\u2019m o<br \/>\nMere bo dadze, me reko ma kofa trotro<br \/>\nOn the fifteenth beba, on the fifteenth beba, on the fifteenth beba<br \/>\nYe nyinaa ye bofor trotro<\/p>\n<p style=\"text-align: center;\">Awo agye wo akotua nti, awo enya woho redzi mo<br \/>\nMere bo dadze, me reko ma koto yorkegali<br \/>\nOn the fifteenth beba, on the fifteenth beba, on the fifteenth beba<br \/>\nYe nyinaa ye bedzi yorkegali<\/p>\n<p style=\"text-align: center;\">Awo agye wo ako tua nti, awo erenom beer<br \/>\nMere bo dadze, me reko ma koto akpeteshie<br \/>\nOn the fifteenth beba, on the fifteenth beba, on the fifteenth beba<br \/>\nYe nyinaa ye bonom akpeteshie<\/p>\n<p style=\"text-align: center;\">Awo agye wo ako tua nti, enne erenom Champagne<br \/>\nMere bo dadze o, mere koto yorkegali<br \/>\nOn the fifteenth beba, on the fifteenth beba, on the fifteenth beba<br \/>\nYe nyinaa ye bedzi yorkegali<\/p>\n<h2 style=\"text-align: center;\">Payday Gentleman<\/h2>\n<p style=\"text-align: center;\">You got paid, so you tease me!<br \/>\nI will stick to the hard way*, I will go by trotro<br \/>\nOn the coming fifteenth, on the coming fifteenth, on the coming fifteenth<br \/>\nWe will both take trotro<\/p>\n<p style=\"text-align: center;\">You got paid, so you are feasting on rice<br \/>\nI will stick to the hard way, I will buy Yorkegali<br \/>\nOn the coming fifteenth, on the coming fifteenth, on the coming fifteenth<br \/>\nWe will both have Yorkegali<\/p>\n<p style=\"text-align: center;\">You got paid, so you grant yourself the luxury of drinking beer.<br \/>\nI will stick to the hard way, I will take humble Akpeteshie<br \/>\nOn the coming fifteenth, on the coming fifteenth, on the coming fifteenth<br \/>\nWe\u2019ll both only have Akpeteshie<\/p>\n<p style=\"text-align: center;\">You got paid, so you indulge yourself drinking Champagne<br \/>\nI will stick to the hard way, I will have plain gari and beans<br \/>\nOn the coming fifteenth, on the coming fifteenth, on the coming fifteenth<br \/>\nWe will both have Yorkegali<\/p>\n<p style=\"text-align: center;\">* bo dadze: literally cracking metal<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The High Life Aces YeeBee YBN 0004 &#8220;Payday Krakye&#8221; is a song about arrogance and extravagance. It is sung in the Twi language, and the singer (K. Bampoe) presents it from the point of view &hellip; <a href=\"https:\/\/www.palmwinemusic.com\/?p=105\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/105"}],"collection":[{"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105"}],"version-history":[{"count":38,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":157,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/105\/revisions\/157"}],"wp:attachment":[{"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.palmwinemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}